The goalkeeper discusses being bullied by 35-year-olds in the English fifth tier, winning the Premier League and competition in the Spain squad

“No, no, there’s someone else,” David Raya says, leaping out of his chair at Spain’s training camp in Chattanooga, Tennessee, pulling his phone from the wash bag sitting on the floor and starting to scroll. Ah, look, here it is,” he says eventually, reading from the screen: “‘… the goalkeeper, who played in yesterday’s match, was at Southport on loan from Oxford United…’ Yeah, Max Crocombe. I think that is right”

And so then there were four, another name to add to the list. Peter Withe, Stan Mortensen, him, and now New Zealand’s No 1: the men who played for Southport and went to a World Cup.

It took a long time for the actor to find her groove – then the smash TV spy thriller changed everything. She talks about getting advice from A-listers, speaking her mind, and why she’s switching to theatre

Sandra Oh bursts into a back room at the National Theatre in London with wayward post-rehearsal energy. The 54-year-old, long one of the most stylish actors in Hollywood, is in brown linen, a herringbone jacket and hat and sunglasses, which she removes before collapsing into a chair and throwing her head forward, arms outstretched, hair splayed across the table. “It’s just the fucking process of it,” she groans. “We just finished our first stagger-through, which if anyone is an actor – it’s early days, so the fact we made it through was great. It’s brutal. We started in the Lyttelton, and it’s interesting to be in that space and to hear verse. You can really hear it. It’s not just about volume or speed. It’s not even solely about intention. You learn so much just being in that space, but the big thing is – sorry.” She catches herself. “I’m just marching on.” And she bellows with laughter.

Oh has been in London for just over a month rehearsing her role as Alice in a modern reimagining of Molière’s Le Misanthrope. It’s a happy return; eight years ago, she was in the capital to film the first of four series of the hit show Killing Eve, which became a phenomenon and changed her life as an actor for ever. Oh played Eve Polastri, the shambolic but brilliant British intelligence agent, who, along with Jodi Comer’s Villanelle, made for one of the best spy capers of recent years. Now, she is playing a novelist – gender-flipped from the 17th-century original, in an adaptation by Martin Crimp – who is fed up with the flattery and dishonesty of the people around her. It’s a deliberate pivot to theatre; last summer, she appeared as Olivia in a starry production of Twelfth Night at the Delacorte Theater in Central Park, New York. In the autumn, she made her debut at New York’s Metropolitan Opera in a production of Donizetti’s comic opera La Fille du Régiment. Unlike the sometimes fraught me-me-meism of screen work, says Oh, working in theatre in general and at the National in particular “is a collaborative thing” – not least, she adds drily, because no one does it for the money. “Everyone has to bring their best and most open selves. And everyone else loves watching everyone succeed.”

Some said Britain’s departure would bring down the union, but countries are still queueing to join

On the night of 23 June 2016, a storm broke out over Brussels. Rain poured and lightning flashed over the European Union headquarters. The next day dawned grey and calm, but the political weather was raging. Britain had voted to leave the EU.

Nigel Farage, then leader of the UK Independence party (Ukip), declared the EU “finished” and “dead”. France’s Marine Le Pen, the Netherlands’ Geert Wilders and Italy’s Matteo Salvini were among the far-right leaders who called for their countries to have a referendum.

Muddy sound systems, pricey tickets and a strong chance of getting showered with someone’s stale beer – give me a nice sit-down in a cinema any time

A few years back I went to see one of my favourite rappers, Earl Sweatshirt, at a venue in north London. The sound was so muddy I couldn’t tell which song he was playing. The setlist lurched between his old and new stuff in a way that did justice to neither. The bloke in front of me filmed the entire thing on a phone he was holding above his head for an Instagram story that will be watched by no one. With 45 minutes remaining, I wished I could leave. With 15 minutes left, I decided that making it to the nearest kebab shop before the rush meant more to me than seeing the end of the set.

As a culture journalist, I’ve been to a lot of gigs. Most of them were endured rather than enjoyed, and I secretly think it’s only the most extroverted (or simply least self-conscious) among us who actually feel otherwise. This is the dirty secret of the music industry, which has tackled economic headwinds mainly by transitioning out of actually selling music and into live events. This feeling has occasionally caused professional embarrassment for me, since I am forever inventing reasons to turn down what is supposedly one of the main perks of the job: free tickets.

Sasha Mistlin is a commissioning editor on the Guardian’s Saturday magazine

The breakout success of her debut created a publishing scramble for Black writers, but has that appetite for diversity endured? Carty-Williams talks about wanting to quit the TV adaptation, why now is the perfect time for her sequel

One of the questions Candice Carty-Williams has spent the past few years batting away is whether she is Queenie. It is perhaps inevitable: her best­selling debut novel followed Queenie Jenkins, a twenty­something south London journalist navigating heartbreak, racism, terrible men and an escalating sense that her life was slipping beyond her control. Like Carty-Williams, Queenie is south London-born, Black and works in media.

It is a slightly predictable question, and one I avoid asking when we meet at her bright pink office in Peckham. But sitting opposite the 36-year-old, I can’t help but understand why it persists. Much like her most famous creation, she is instantly likable: warm, quick-witted and completely devoid of the self-seriousness that can sometimes come with literary success. She is disarmingly casual – her hair is wrapped up and under-eye patches are busy depuffing her face.

Manchester, Birmingham and Leeds are experiencing after-hours boom as a result of more lenient rules

London has the earliest council-mandated bedtime of any other city in the UK as a result of policies in nightlife districts that oppose any new bar or restaurant opening past 11pm.

These strict restrictions on pubs and bars are “killing off nightlife” in the capital, experts have said, while other cities including Manchester, Birmingham and Leeds are experiencing an after-hours boom because they have more lenient rules.

Police say 28 people remain in hospital after passengers were flung across carriages during rush hour train collision

• Two trains collide near Bedford

Nine people are in a critical condition after the Bedford train crash that killed the driver of one of the trains, police have confirmed.

British Transport police chief constable, Lucy D’Orsi, announced that of the 89 people injured, 28 remain in hospital.

Peer and former cabinet minister Charlie Falconer says PM could have ‘at most weeks to go’

• Cabinet loyalists tell Starmer he has the weekend to set out timetable for exit

A losing streak? Makerfield shows mounting dangers for Nigel Farage

From Restore and tactical voting to questions over that £5m gift, the Reform leader faces challenges on several fronts, writes senior political correspondent Peter Walker.

As those around Nigel Farage are fond of pointing out, Reform UK has now led in more than 300 consecutive national polls. When it comes to byelections, though, it is fair to say the party’s results are more mixed.

Yes, Robert Kenyon came second in Makerfield to a popular regional mayor backed by a Labour campaign so relentless that the main risk was annoying voters by knocking too often on their doors. Kenyon also increased his and Reform’s share of the vote from the 2024 general election.

Arrests after explosion and caravan fires heighten controversy over number of people living in vehicles

Jan Johnston was tucked up in the van she calls home when she was rocked by the explosion. “I heard this massive boom,” she said. “I came out and there was thick, black, billowing smoke. It was like a bomb had gone off.”

It turned out not to be a bomb, but a suspected arson attack on one of the many caravans, motorhomes and converted vehicles tucked away in side roads and industrial estates around the town of Glastonbury in Somerset.

Mona Khalil led a decades-long effort to protect a nesting site for turtles near her home in the south of the country

The Lebanese marine activist Mona Khalil, who became a beloved figure in the country for a decades-long effort to protect a nesting site for turtles near her home, has died from injuries sustained in an Israeli strike.

Khalil, 76, ran a sanctuary called the Orange House Project near the Mediterranean city of Tyre. She hosted volunteers in her house to clean and monitor a mile-long beach and welcomed tourists to stay and learn about conservation.